Conversations With People We Value #58
You never know what you will discover at the Fall Carlisle Swap Meet. In the case of this year’s event, Elaine and I stumbled across a real find. While seated for breakfast at the historic Carlisle House B&B we found ourselves across the table from Jim Freda and his wife Kim. In a matter of moments Jim and I were confirming a lengthy list of common acquaintances populating the list of respected members of the tri-state classic car community.
Over breakfast in sharing images of custom vehicles he created in his off hours, I recognized both a possible friend and a visionary artist worthy of a Drivin’ News story.
Meet Jim Freda.
Intuitive Genius Wielding a Hammer and Chisel

Jim’s 1962 Cadillac 4-dr. Sedan deVille
I found it inconceivable that of all the completed and striking one-off fabrications arrayed about the courtyard none had come to life with the benefit of so much as a sketch on a napkin. Yet, Jim Freda, in his 60s, retired and a full time artist with old cars as his medium, would have it no other way.
His most recent creation started as a 1962 Cadillac Sedan deVille. His initial vision centered on slicing off the roof and creating a full 180 degree Plexiglas bubble top concept. However, early on, with the roof freshly removed and hanging on straps above the Cadillac’s open cockpit, Jim lowered the roof onto the car to facilitate moving it to another part of his shop. The visual effect stunned him. The impact of the cut roof’s sinister slit-eyed glare sitting low upon the Cadillac’s lengthy swept fin body electrified Jim. With fluid ease, he pivoted to a completely new visual concept that would showcase the chopped Cadillac’s serendipitously discovered alluring menace. More about the 62 Cadillac will come later. This impromptu re-imagining reflects an intuitive genius that Jim employs as a matter of form in all of his creations. Unencumbered by any commitment to a predetermined outcome, Jim simply follows his muse to achieve a final design that pleased him.
As in Jim’s case, intuitive genius describes an innate ability to capture a desired solution in a manner that seemingly supersedes conscious reasoning. For Jim his application of this creative gift comes with the benefit of a personal build philosophy that demands that as Jim says, “If you make a mistake, you got to figure out how to cover it up and make it look, right.”

Jim’s 1965 Ford Galaxie Gasser
Born into a car family, Jim grew up in Lyndhurst, New Jersey where his father, Lou Freda, owned a used car lot next to the family home. While the car lot has passed into history the fully equipped two-bay workshop remains active in serving as the incubator for Jim’s unique creations. In his early years Jim and his pals had Camaros and Novas but it was not until Jim reached his 40s that he turned to building cars of his own design. He says, “It was not like I was 22 years old and ripping stuff apart.” He credits Richie Conklin owner of the famous Hot Rod Farm in Montville, New Jersey with seeding his fascination with fabrication. He says, “I went over to Richie’s Hot Rod Farm. It was filled with jacked up straight-axle gassers. It was the coolest place. I knew what you could do to a Camaro but everybody’s got that. But at Richie’s the gassers I saw were something very different.” And what exactly is a gasser? Primarily built around older production cars from before 1970, a gasser’s signature traits include high-raised front end, stripped-down body, and powerful engine. The distinctive high and downward sloping stance functions to more effectively transfer weight to the rear wheels for better traction during the launch from a standstill. Jim loved the look.
So about 20 years ago a motivated Jim Freda left the Hot Rod Farm went home, found a 1965 Ford Galaxie for $500 and started his first build. To guide his project Jim, for months to come, went back and forth to Richie’s farm just to get ideas and learn techniques.
In Jim’s transformation into an obsessed practitioner in the art of custom car creation; he set about turning the Galaxie into a gasser. Its reinforced chassis hiked up over the solid front axle cradled a supercharged 454 cu. in. Chevy big block stroked out to 496 cu. in.. Dyno tested at a thundering 710 horsepower, it delivered power through a 5-speed transmission to a rear end with 389 gears. For the following 20 years it provided effortless one elbow out the window, one hand on the wheel highway speed reliability in compiling significant miles around the Mid-Atlantic States. However, while a source of pride, Jim’s Galaxie gasser only whet his appetite for creating far more radical expressions of his very personal driving dreams. Over the ensuing decades of tear-down and fabrication adventures Jim’s friends anointed the fruits of his efforts “Hammer and Chizel” Kustoms. Now we will take a closer look at two Kustoms born of Jim’s sublimely radical expression of intuitive genius. We start with the 1962 Cadillac referenced earlier in this story.
This custom design started as a forlorn 1962 Cadillac Sedan de Ville left moldering in a field. Jim says, “I was just looking for something with fins. Then I was going to develop an idea around the fins.” Jim found and trailered his donor car home on January 30th 2023. Once in the shop Jim embarked on the major surgery that had resulted in the realization that his original bubble top concept referenced earlier had been supplanted by a far more compelling design. That the more striking concept had resulted not from Jim’s personal insight but from happenstance bothered Jim not a bit. Jim says, “That was fine with me.” With the visual solution revealed to him, Jim took another year and a half to bring it to fruition. Over those subsequent months Jim pursued every opportunity to refine the handsome malevolence of his Cadillac concept’s rebirth. He massaged design elements to enhance features contributing to the cars character such as its long low profile, sharp lines and muscular stance.
While the car looks a city block long, the body is actually six inches shorter than the donor Cadillac. Contributing to this lengthening effect is that Jim re-positioned the chopped roof a foot to the rear while transforming the design into a 2-door coupe. He accomplished this by integrating the front doors into the front fender panels. Even though six inches were removed from the door width, its repurposing significantly contributed to the impression of a lengthened car. An interesting rule of thumb in automotive design states that the greater the distance between the back of the front wheel opening and the fire wall increases the perception of greater stature. Jim, of course, did all of this by eye.
To further enhance the look, Jim cleverly integrated the rear fender skirts into the body while repositioning the rear wheels further back towards the rear bumper. He did this by extending the wheelbase. He extended the wheelbase by personally fabricating a new chassis. Jim says, “It’s not a real big deal. I’m not building a formula 1 car here. I use 2 inch by 4 inch, 3/16th inch rectangular tubing. Front and rear suspensions are available in the aftermarket.” For this Cadillac, the front suspension came from Speedway Motors. Jim went to Quick Performance for the rear suspension for the narrowed rear. Jim says, “You measure the dimensions of the rear you need and they make it for you.
Jim’s designs frequently feature the absence of a hood. His choice and presentation of an engine often elevates its presence from muscular power source to visual design feature. In this case the hood-less Cadillac features a Corvette 350 cu. with dual quads.
The finishing touch to complete the visual presentation of Jim’s creation came courtesy of his go-to pinstripe legend Mr. J from Paterson, New Jersey. And, now, for something completely different.

Jim’s 1963 Pontiac Bonneville 4-dr. hardtop
Six years before the 1962 Cadillac Coupe deVille, a 1963 Pontiac Bonneville 4-door hardtop captured Jim’s attention. Metamorphosis best describes Jim’s transformation of a classic 1960s Detroit iron land yacht into what best can be described as a sleek purple Star Wars 2-seat X-wing fighter sans wings that would stun the crowd at any Cars and Coffee. Standing before his creation Jim matter-of-factly explained the end result saying, “This was a 1963 Pontiac Bonneville four-door hardtop.
The side of the car now consists of the front fender, the rear door and the quarter panel. The front door has been eliminated. Seated inside you are technically sitting in the trunk below a Plymouth Barracuda rear window that functions as a windshield. The roof features a “flying buttress” from a 1970s Corvette. The vehicle’s width is full-size in the back narrowing to about three feet wide in the front.” Clearly this Hammer and Chizel Kustom enjoyed an ample dose of intuitive genius. When questioned about the car’s proportions Jim says, “Think of it as a slice of pie.”
It all started when Jim homed in on the rear window glass of an early 1970’s Buick “Boattail” Riviera. He says, “I decided to build a car using the rear window for a windshield.” While inquiring about a boattail window at an automotive glass store, the salesman told Jim he had something better. Jim says, “He steers me to a 1965 Plymouth Barracuda rear window, you know the “Hemi under glass” rear window. And he says it offers more side to work with. I was sold.”
Like the other Cadillac Jim fabricated a custom chassis with the axle for the half width front end from Speedway Motors. Power comes courtesy of a 350 cu. in. Chevy V8.
The custom interior features air conditioning, heat and stereo. The windshield/roof/exit employs gas struts for effortless operation. As with all of Jim’s creations, super pinstriper Mr. J got the call to place the special touches on the paint. That all of Jim’s builds enjoy street legal status pays tribute to the quality of Jim’s work.
In reflecting on his passion for hands-on car creation Jim says, “Most of my found happiness is probably through my father. He owned the used car lot that colored my early life experiences. He had the passion for cars. He is gone now but his spirit lives on through the life my work brings to his garage.” As an added bonus Jim says, “Ours is a neighborhood of close friendships. Even after my father passed, his old friends and, now, my old friends like Big Bill, Mike and Bob stop by the garage regularly to check in and maybe lend a hand on my latest project.” Jim has even continued hosting what was once his father’s annual Christmas party at the garage.”
In reflecting on what drives him Jim Says, “I have become aware that my work with cars is really about people and relationships.” Jim loves to create designs that fire people’s imagination. Jim says, “When going to car shows I have come to realize that it is more about the people I meet than the cars I see.” For Jim, each unique Hammer & Chizel Kustom car produces a vehicle (double meaning intended) that brings people together.
Jim smiles at the thought that it would make his father smile.