Conversations With People We Value #63
Shiny and red as a ripe apple and half the width of a Smart Car, it silently split the lane between two SUVs and sailed off down the highway. Witnessing this, friend of Drivin’ News, Dr. Chuck Berg, fueled by a high octane “need to get a better look” took off in determined pursuit. Thanks to a stoplight, Chuck finally caught up to what can best be described as a high performance transportation pod for two. It was then that Chuck would meet the vehicle’s driver and creator Rick Woodbury.
Meet Rick Woodbury and his creation, the Tango high performance commuter electric microcar.
The Tango Electric Microcar – Little Tykes Cozy Coupe reborn as a Dodge Demon

While faster from 0 to 60 mph than a 2026 911 Carrera, Rick Woodbury’s Tango also protects occupants with a chrome-moly steel roll cage construction that exceeds FIA (Fédération Internationale de l’Automobile) racecar standards. Not bad work for a man who quit high school to live in Mexico, retreated to a Zen Monastery, worked as the Sales Manager at Beverly Hills Porsche Audi, raced Porsches in IMPSA and SCCA events, worked as an electrical engineer for Northface garments, spent all his spare time in machine shops, considers himself a master fabricator and, oh yes, an accomplished ice dancer. In so many ways Rick Woodbury’s unique creation, the Tango electric microcar, not unlike his life, defies categorization. In the case of the Tango this confusion has proven to be both a blessing and a curse.

Rick Woodbury and the Tango
The Tango idea sprouted during conversations with his young son. A very passionate Rick says, “By the time my son was in 5th grade around 1998 we had enjoyed many discussions about the future of highway travel.” Dating back to when he worked with Porsche Rick would be exasperated by commuting to work behind the wheel of a 911 and poking along in freeway traffic at 10 mph. Rick says, “It would drive me nuts. And I thought, you know, we need narrow cars just for commuting.” He envisioned a future with highways hosting a plenitude of narrow cars providing more efficient use of road space for expedited commuting. How narrow? Rick says, “You have to get a car less than 40 inches wide to solve the traffic problem. You know, it’s just an absolute fixed line that you can’t change. It has to be that, or you have to change the infrastructure and that’s not going to happen.” Rick felt a width of thirty nine inches would work just fine. He observed that nearly 90% of the cars driven by his fellow commuters had a single occupant. To Rick it seemed really stupid to waste a whole lane for a single person. He surmised that with narrow commuter cars a single lane could carry twice the people. Rick says, “There’s 140 million workers in the US or at least there were at that time with 107 million of them being single occupant drivers. And how is the government trying to address this? They want to stick us in public transit.” Rick has strong feelings about that idea saying, “Stick us all in public transit? I don’t think so. You know, it’s not happening. People want to go where they want to go, when they want to go.” With the inspiration to revolutionize the driver commuting experience Rick began his pursuit of a solution. As to why the Tango name, Rick’s tenure as an ice dancer found him to be a big fan of that particular passionate Argentinean dance. Tango actually provides a quite catchy name. Hey, it sure beats Gremlin.

George Clooney and his Tango
Subsequent to his narrow commuter car epiphany, Rick dedicated his life and $50,000 of his own money to making the Tango a reality. To get it on the road in his home state of Washington he registered the Tango as a home built car. Rick says, “Back then in the state of Washington you just had to abide by eight pages of regulations. It was pretty simple to register the car at that time. Later on that would change.” Then, for the next three decades he has worked diligently to refine his concept. By 2005 with the Tango employing an Odyssey lead-acid battery Rick made his first sale, to actor George Clooney. Rick says, “Clooney drove it for a couple of years. Though his Tango had all blacked out windows it still drew throngs of gawkers even without people realizing that it had George Clooney at the wheel.” Having the Tango zipping around the film community generated a great deal of publicity. Rick says, “It increased awareness significantly. It helped us a lot.” Unfortunately Clooney’s Tango driving stopped when he departed Warner Brothers and, with that, eliminated his need to commute.” After the first sale to Clooney in 2005, late 2006 witnessed the Tango leap forward with Google founders Sergey Brin and Larry Page purchasing Tangos and promoting the use of lithium batteries to power Rick’s commuter pocket rocket.
Before reviewing the rocky path the Tango has faced in achieving acceptance much less success it makes sense to review its present day specifications. The Tango body, constructed from lightweight, high-strength carbon fiber, can accommodate two adults seated in a tandem, “I” formation. It weighs in at a robust 3,326 pounds with a width of 39 inches, a length of 102 inches (8 ft. 6 inches) and a height of 61 inches.

12.2 second 1/4 mile
The awesome power driving this commuter mini-beast comes courtesy of 2 Advanced DC heavy duty DC electric motors with each one driving a rear wheel. The two motors together produce a combined starting torque of 3000 ft.-lbs. With an 8000 rpm redline the Tango’s 600kW output translates into 805 horsepower. The Tango turns 12.2 seconds in the 1/4-mile at 106 mph. Steering is rack and pinion. Front suspension features unequal length A-arms with coil-over shocks while the rear suspension offers a trailing arm design with coli-over shocks. Front and rear disc brakes employ Mazda Miata calipers. While the Tango equips both passenger positions with four aircraft style seat harnesses, it must be noted that the present Tango lacks numerous requisite safety features required to meet crash test standards. Its status as a kit car allows some leeway to excuse the absence of such features as a supplemental restraint system and an energy management structure that provides for the redirection and diffusion of the force of an impact. The Tango also lacks ABS braking. That said government agencies and private companies have taken a look at the Tango and walked away impressed but still walked away. While numerous global transportation experts have been awed by the tango many, at the same time, find it difficult to categorize.

Tango two-seater
One limiting factor that deserves to be addressed rears its very expensive head when the topic of production cost surfaces. Costs involved in hand building one Tango today top out at $420,000. That said, as Rick wants no interference with the production of his Tango dream, he rejects investors seeking involvement. He, thus, currently relies primarily on self funding. Over the years prices charged to Clooney, Brin, Page and others range in the area of $120,000 to the latest lithium ion powered unit with a 300-mile range costing $300,000. These prices clearly do not conform to Rick’s vision of an affordable dedicated commuter car.
What then is his vision? Would he consider looking for funding from some angel and create his own factory? Rick says, “That’s preferable, but I am 76. I’m getting up there. I may not be able to pull that off. I’ll have to see how it goes, but I will strive to guide the company forward to revolutionize the world of Transportation. When asked about the ideal environment to test the feasibility of the Tango, Rick ever the optimist says, “I think you can take any crowded city like San Francisco or anywhere in the Los Angeles area. There you have people spending literally hours commuting with half their time consumed creeping along because of the traffic congestion.”
Rick says. “Let’s say it is a government project. I would suggest they focus on select zip codes. A person living in one such zip code could rent a Tango for an affordable rate per month. I see the Tango being a no frills highly mobile form of transportation; something really bullet proof. The Tango commuter car would not be something to show off.” Reflecting on that comment he laughs as he says, “Though the Tango can back in between two full size parked cars.” He believes the Tango delivers a higher level of mobility than public transportation. He says, “It just gets people where they want to go. At some point an autonomous driving feature including autonomous driving lane splitting would be available. That’s my idea for the future.” He concedes that for the Tango concept to make a difference it would need a lot of people in Tangos. Rick says, “To do that the Tango solution has to be affordable. Right now, the car costs four hundred and twenty thousand dollars each to build. That’s not affordable to anybody. Not even billionaires want to pay that much. This does not mean interest from government and business has not been expressed.
Rick actually met with Caltrans (California Department of Transportation) in 2001. Recalling the meeting Rick says, “I gave them a test drive in the first Tangos and they said, we’re not going to build the lanes until you build the cars and you’re not going to build the cars until we have the lanes so you know we’re not going anywhere with this. That was 25 years ago. Undeterred, Rick soldiered on buoyed by his observation that motorcycles can be seen cruising legally as a group side by side. His belief in the Tango concept remained unwavering.

XPrize competition
The year 2008 witnessed the announcement of the Progressive Automotive X-Prize. Launched by the XPrize Foundation and sponsored by Progressive Insurance its intent was to inspire the creation of safe, affordable, and “super-fuel efficient” vehicles capable of achieving at least 100 MPGe (Miles per gallon of gasoline equivalent). Winners would share in a $10,000,000 pool of prize money. Rick entered the Tango.
The competition concluded in September 2010 with three winning teams sharing the prize purse. The Tango did not win. Rick with no bitterness says, “We did not win the $2.5 million purse for our special category of tandem seating. An electric enclosed motorcycle with training wheels that extend when stopped called the Zero Tracer won the purse and then promptly went out of business. We ran air conditioning as it was 106 degrees that day, so we came up just short of the 100 MPGe that was required. Some of the competitors used ice blocks instead of A/C to keep the cabin under 95° which was the requirement. Seems like cheating, but the organizers approved it. One final comment in referring to practicality, Rick says, “The winner vehicle in my category was so unstable it fell over on its side when parked on a slope by the oval test track. That would have seemed to be worthy of disqualification, as these cars were supposed to be functional for daily use. I mean how many people would it take to upright an enclosed motorcycle weighing over 1,000 pounds in a San Francisco intersection? And so it goes. The Tango checked so many boxes; they just were not all on the judges’ sheet.
Rick Woodbury’s thoughtful Tango EV microcar concept may be a very fast, highly maneuverable and effective solution to a question no longer of much interest to the institutions in a position to promote it. His home state of California made it clear to him of its desire to be rid of cars all together.
The ingenuity and dedication demonstrated in Rick’s passionate desire to reduce traffic congestion suffers from the absence of a location supporting the necessary critical mass of refined Tangos necessary to realize its advantages; not unlike having an iPhone in a landline world but no cell service.

For 2026, the route will replicate the original roughly 1000 mile figure-eight course. Each of its five timed stages will take drivers on grueling 10 to 12 hour treks through a challenging mix of fast changing elevations while traversing winding, mountain passes; rugged dusty backcountry paths; narrow twisting cobblestone lanes squeezing through rural villages; and picturesque open vistas viewed from ancient roads clinging to cliffs overlooking the Adriatic Sea. Bruce Amster has seen and driven it all many times over since the 1970s.
It also makes sense for a newcomer to include a seasoned veteran as part of the team considering the price of admission. First to get accepted requires selection by the governing fathers of the Mille Miglia. The Management Committee of the Registro 1000 Miglia and the official 1000 Miglia Organizers select the vehicles based on originality and historical relevance. Eligible cars must typically be models that participated in or were registered for the original 1927–1957 races, with a preference for survivors. For an entrant who owns a car, Bruce understands the costs involved. Allowing that so many variables impact expenses, especially the cost to properly prep the car, Bruce describes his estimation as a ballpark figure. He says, “For a car coming from the United States, the cost for car preparation, shipping to and from Europe, travel costs, entry fees, support staff costs and myriad other “incidentals” the number can climb to somewhere south of $100,000.” When asked why he chose to campaign a coupe for this event rather than a cabriolet, his answer is simple. He says, “I have previously driven 10 hours in spyders with no tops that were not meant to be driven in the pouring rain. Even with all the proper rain gear we were still sitting in puddles of water. I don’t need to or want to check that box again.”



For the Italian nation in the 1930s cycling reached its peak of popularity. It served as Italy’s most popular spectator sport until the 1950s. It was a mass cultural phenomenon that unified the country, shaped the national identity of its citizens, and up to WWII became a central tool for fascist propaganda under Benito Mussolini. Cycling stood above all other sports as did baseball in America. For Italians cyclist Gino Bartali towered as their Babe Ruth maybe with a little Charles Lindbergh mixed in.
Based on research conducted by Yad Vashem, the World Holocaust Remembrance Center, Bartali, in 1943, responded to a request by the Archbishop of Florence, Cardinal Elia Dalla Costa to volunteer his cycling skills. The Archbishop in collaboration with Rabbi Nathan Cassuto established a clandestine network to hide Jews in convents and monasteries while producing forged documents to help them escape. Bartali’a role called for him to transport the counterfeit identity documents to points comprising the underground network bounded by Florence, Assisi and Genoa, an area of considerable size. He also would pick up money from a Swiss bank account in Genoa for distribution to Jews hiding in Florence. Bartali employing equal measures of courage, brazen ingenuity and chutzpa (Yiddish for audacity) would hide the documents in the frame and handlebars of his bicycle. Never taking the shortest route, to better avoid checkpoints, his clandestine rides, and he took many, could exceed 200 kilometers. When stopped and searched at German checkpoints, the famous Bartali would warn the guards not to touch the bicycle as he had it set just right to deliver optimum performance. However, as the war progressed the frequent sighting of a cyclist training for races that no longer occurred began to raise questions. In July of 1944 Bartali found himself being interrogated at the infamous Villa Triste (Sorrow House) in Florence where fascist officials practiced forced imprisonment and torture. With luck and possibly God on his side, one of Bartali’s interrogators happened to be his army CO who promptly vouched for the cyclist’s innocence. Not to be satisfied with his good works as the conduit by which Jews could escape the Nazis, he, at the same time, hid a Jewish family in his home until the allies entered Florence.
Bartali’s role in preventing an Italian civil war and saving the nation again finds a parallel in the lore of American icon Babe Ruth. In this case the fabled story of Babe Ruth’s “Called shot” comes to mind. The story takes place in the 1932 World Series. In that game “The Babe” being mercilessly heckled by the opposing Chicago Cubs pointed to the centerfield bleachers and promptly hit the next pitch for a home run into the centerfield bleachers. Though still debated, it stands firmly anchored as baseball lore.


your car. In my case MotorWorks West has previously worked on my 2003 E46 BMW 330. It features a very professional exclusive BMW facility and enjoys a very positive reputation. For a Refresh, consider the shop you choose as your partner in the project. As well, the shop, too, should view this relationship as more than just another job. It certainly will be more expensive. Finally, thoroughly review the vehicle with the shop owner. This review must include both an under the hood and an up on a lift visual inspection. Before proceeding you should have a written estimate from the shop detailing all aspects of the project. This is when you decide if the Refresh merits the cost. If yes, establish a budget before proceeding. It should include a contingency of maybe 15% for legitimate work not foreseen. Have the shop save all of the old parts removed for your confirmation and inspection. Remember this job will dent your wallet. Know and respect the limit of yours.


Considered the last of the legendary naturally aspirated inline-6 engines upon which BMW built its reputation, the N52 in my X3 with its inherently balanced inline-6 configuration, advanced features like Valvetronic, Double VANOS and lightweight magnesium-aluminum block boasts smooth, linear power and superior reliability compared to the more complex B48 turbocharged engine found in newer BMWs.

As a harbinger of coming change early 1974 saw a new company called “Computerized Antique Car and Parts Service” advertise in Hemmings. Like some ancient aquatic denizen in an early but unsuccessful attempt to venture onto land, this business sought to apply computerized search techniques to marketing vintage cars and parts. It failed. However, decades later that business’ basic idea, empowered by 21stt century e-commerce tools, resurfaced as a powerful global entity energizing the collectible car culture. It had evolved into the online auction site Bring a Trailer and its kin. Indeed, the winds of change spurred on by profound advancements in digital commerce have expanded the enjoyment and associated business opportunities associated with a global collectible car culture to heights unthinkable fifty years ago. Such changes clearly demanded adjustments in the content and character of an evolving Hemmings.
It would be into this fertile yet largely untapped realm of classic car culture that a few visionaries would initiate a sea change.Nurtured by a Hemmings advertiser, Leo Gephart, an Ohio classic car dealer, the seeds of change had shown green shoots by the early 1970s. Gephart, whom many consider the father of the modern large-volume classic car auction, had an idea. His experience had shown that car collectors would travel from state to state looking for old cars at estate sales. Based on this he believed that a lot of collectors could be expected to gather if a huge number of cars had been assembled for sale in one place. Gephart, a long time member of the Auburn-Cord-Duesenberg Club, approached a friend Russell Kruse with the idea. Till then Kruse had specialized in the auctioning of Construction equipment. Both men like the idea. On Labor Day in 1971 Kruse Auctions in collaboration with the Auburn-Cord-Duesenberg Museum hosted the Auburn Labor Day Auction.
amputees. When they took off my leg I had first intended to get rid of my 440i and buy something else. But then, I learned I could drive my BMW using my left foot with a device available locally. What a great device.
“I have to have a 2-door coupe, like my 440i,” says Herb. He explains why saying, “You need a big door when you have a prosthetic leg. In my case, it’s my right leg, and I’m sitting on the left side of the car. I have to lift my right leg with my hand, slide it out and then slide my body. In order to do that, I need a big door and automatic seat settings.” To exit the car requires Herb to have the seat all the way back. Herb says, “I couldn’t drive a car that didn’t have electric seats because without a memory seat, it would be a nightmare every time I got in and out of the car.”
When asked if the driving experience changed with the prosthetic device, Herb says, “Yes and no. I have always loved driving, however, all my cars had been stick. However, because of what happened I can no longer drive stick. But considering that pretty much all brands have stopped making them, it seems an inevitability. I don’t like the paddles. Not the same, not even close. So that’s where it’s changed. But I got used to it and I still love to drive. I mean, I get relaxation. I love being surrounded by my music. I love the quickness and toss-ability of my BMW. I rejoice in tracking on a serpentine back road. Yeah, I still take exit ramps at 60 miles an hour, you know, just to feel how the car holds the road.”






reflecting on his passion for hands-on car creation Jim says, “Most of my found happiness is probably through my father. He owned the used car lot that colored my early life experiences. He had the passion for cars. He is gone now but his spirit lives on through the life my work brings to his garage.” As an added bonus Jim says, “Ours is a neighborhood of close friendships. Even after my father passed, his old friends and, now, my old friends like Big Bill, Mike and Bob stop by the garage regularly to check in and maybe lend a hand on my latest project.” Jim has even continued hosting what was once his father’s annual Christmas party at the garage.”
were lobbied. The effort succeeded in generating the opportunity to deliver a presentation to middle school students on the significance and excitement of vintage automobiles. The effort’s intent resided in motivating children to take advantage of the coming event to experience historic vehicles first hand. In so doing they could better appreciate the character, beauty, and excitement of the iconic vehicles that revolutionized individual lives and forever changed global culture in the 20th century. The effort proved successful.
with an information scavenger hunt. Centered on car specific questions, this 20-question quiz encouraged children to interact with the classic cars on display and the car owners.

Sitting tall and proud children fired questions at Glenn, the knowledgeable owner. They found the need for a hand crank start especially fascinating and the squeeze bulb horn proved irresistible. My Corvette drew admirers but my favorite asked if he could sit in it. Once in, he gripped the wheel with both hands and made the best “I am doing 100 mph and loving it” face. Interestingly a major source of comment in the Corvette was the dashboard mounted location of the rearview mirror.



Show, I know the damage inflicted by bad kids with evil intent. That unsupervised environment differs profoundly from the local events most of us populate. Experience from Collectible Car Fairs 1 and 2 has shown kids to be respectful and appreciative. Do they need to be monitored? Yes. They may not know how to interact with a classic car. That is certainly something we as car enthusiasts can share in a friendly manner. For my 2 Collectible Car Fairs and the Autism event described in the last Drivin News story (Classic Autos and Autism, A Shared Journey to Betterment) I have brought the 1961 Corvette that I have had since 1967. After 50 years of ownership, I conducted a major restoration. It has been featured in Hemmings publication Muscle Machines. I am very protective. I have also realized my greatest gift as an automobile enthusiast is to employ my car as a vehicle (Double meaning intended) to engage those who will carry on my passion when their turn arrives.














