Conversations With People We Value #62
Best described as a glorious passion driven celebration of predominantly mid-20th century analog performance motoring, the Mille Miglia stands apart from and above all other contemporary tribute driving events. It draws its unique stature both from its historic roots and the challenges posed over five days spent traversing 1000 miles of primarily rugged and often punishing Italian back country roads and the rudimentary nature, by today’s standards, of the vehicles that comprise the field of participants.
Having spent a week immersing myself in the sweltering spectacle of last year’s 2025 Mille Miglia, this year I took the opportunity to speak with a man who has campaigned numerous world class vehicles at the Mille Miglia over the last 40 years and who will return this year with a 1955 Aston Martin DB2/4.
Meet Bruce Amster.
Prepping to Race 1000 Miles on Some Bad Italian Roads

Today’s Mille Miglia may be a celebration of a once great race, but to mistake driving in it as some kind of party can cost you dearly. Unlike some stateside paved 1000-mile classic car cruises, the Mille Miglia is no pussy cat. It’s got teeth and an attitude. To display a lack of respect for its dangers can quickly tear up your car and, worse, you with it. Not everyone who starts the Mille Miglia finishes it, far from it.
For 2026, the route will replicate the original roughly 1000 mile figure-eight course. Each of its five timed stages will take drivers on grueling 10 to 12 hour treks through a challenging mix of fast changing elevations while traversing winding, mountain passes; rugged dusty backcountry paths; narrow twisting cobblestone lanes squeezing through rural villages; and picturesque open vistas viewed from ancient roads clinging to cliffs overlooking the Adriatic Sea. Bruce Amster has seen and driven it all many times over since the 1970s.
Now, ten weeks before the 2026 Mille Miglia finds classic car maven Bruce Amster immersed in executing plans made months ago. Early 2026 has seen him retained to prepare and campaign a striking red, the actual color is Dubonnet Rosso to be exact, pristine 1955 Aston Martin DB2/4 for what will be a torturous 1000 mile event. As a master of the art and science of campaigning vintage cars in grueling races, the next few months of Bruce’s life will be dominated by the varied and critical roles he will play in maximizing a father’s gift of the Mille Miglia driving experience to his son. Simply stated, Bruce has accepted the responsibility of ensuring that this beautiful Aston will not only be race-ready and poised on June 9th to depart the “Red Arrow” platform before a wildly cheering crowd but will, with every confidence, be returning to cross that same Viale Venezia platform five days later.

Bruce Amster
A seasoned veteran of this iconic time/speed/distance staged Brescia to Rome round trip; Bruce does not seek opportunities to campaign cars as much as they find him. His racing history; association with Redline Restorations; expertise in supercar and hypercar carbon fiber fabrication at his ABCCarbonFiber facility; and his 40-plus years campaigning cars at the Mille Miglia marks him as the quintessential go-to-guy to deliver concierge level support for a car being entered in the Mille Miglia. In this case his role calls for him to technically upgrade and fine tune the Aston; shepherd its 4000 mile transatlantic shipment to and from Brescia; provide a chase car and serve as both co-driver and driving mechanic. In the case of the 2026 event Bruce says, “In this case it’s a personal thing. It came out of a conversation at the Audrain. The owner is a good guy we have known for years. He wanted his 20-something year old son who has a racing license and track time to have the opportunity to participate in the Mille. The father wanted a race veteran who could shepherd his son while enhancing the driving experience.” For the father, retaining Bruce just made the most sense.
It also makes sense for a newcomer to include a seasoned veteran as part of the team considering the price of admission. First to get accepted requires selection by the governing fathers of the Mille Miglia. The Management Committee of the Registro 1000 Miglia and the official 1000 Miglia Organizers select the vehicles based on originality and historical relevance. Eligible cars must typically be models that participated in or were registered for the original 1927–1957 races, with a preference for survivors. For an entrant who owns a car, Bruce understands the costs involved. Allowing that so many variables impact expenses, especially the cost to properly prep the car, Bruce describes his estimation as a ballpark figure. He says, “For a car coming from the United States, the cost for car preparation, shipping to and from Europe, travel costs, entry fees, support staff costs and myriad other “incidentals” the number can climb to somewhere south of $100,000.” When asked why he chose to campaign a coupe for this event rather than a cabriolet, his answer is simple. He says, “I have previously driven 10 hours in spyders with no tops that were not meant to be driven in the pouring rain. Even with all the proper rain gear we were still sitting in puddles of water. I don’t need to or want to check that box again.”

1955 Aston-Martin at California Mille
Situated in Bruce’s facility in Derby Connecticut, the Aston presently resides midway through a thorough upgrading of its 1950’s era running gear. At best, every car entered in the Mille features technology over 70 years old and most have been around since Joe DiMaggio patrolled center field. Everything running in the Mille has drum brakes. All the cars have manual transmissions. Bruce says, “You can be shifting hundreds of times in one day.” He says, “This event is no walk in the park. The Mille Miglia seems to have at its heart a determination to probe for a car’s weakest link, find it and then break it. Bruce points out that while this Aston performed beautifully in the less demanding California Mille, the Mille Miglia places far more stress on a car. He says, “That is why I go overboard when prepping a car for this event.” Keeping in mind that, for the most part, any modifications should be period correct, Bruce has targeted this DB2/4 for upgrades that include brakes, charging system, starter, larger core radiator, free-flow exhaust, water pump, all hoses and, of course, fresh tires. Shock dampers have been serviced. Bigger camshafts manufactured by Kent Cams of England will beef up the engine. Additional front and rear lighting will provide enhanced visibility. A second battery and second fuel pump will be installed as back-ups in case of a failure.

In 2025 severe heat had drivers pushing some cars to the finish
With the event now taking place in June, heat has become a real issue. In last year’s event temperatures reached near 100° F. To prepare should there be a repeat of the blistering heat, heavy insulation will be added throughout the cockpit. While the Aston’s cooling system performed flawlessly in the California event, the possibility of facing triple digit temperatures in Italy will have Bruce add a supplemental electric cooling fan at the front for added peace of mind. As well, the application of specialized ceramic-aluminum high performance coatings will drastically reduce exhaust system heat and heat related failures. That said first time drivers may be shocked when encountering harsh wintry conditions, even snow, when traversing mountainous stretches. Bruce says, “I have been driving through the Stelvio Pass in previous races and have hit snow multiple times. Now instead of too much heat, you have no heat. Your wipers are woefully inadequate. Let’s just say it’s a different experience.” Such anomalies highlight the significant benefits of having an experienced Mille Miglia driver and mechanic as part of a competing team. With his decades of running the Mille Miglia, Bruce, when asked what sage advice he would offer to first time entrants, has much to say.

Starting and finishing bridge in Brescia
“Rule number one,” pronounces Bruce with a feigned commanding voice, “Don’t break the car!” He continues saying, “It’s not about being first. It’s just to be there at the end. Roughly 20 percent of the cars do not finish. Success is determined not by where you finished but that you did finish. Success is returning to Brescia to cross the same Bridge from which you had left.” Bruce tells first timers just to enjoy the event. He says, “Don’t expect to win. You’re up against people that have done it ten maybe fifteen times. They could have crews of four in two separate cars with computers and everything else logging in and communicating with each other on cell phones with the goal being to direct the driver to speed up or slow down to match the posted time for the stage.”
With the voice of experience, Bruce says, “Drivers, who have never driven the race before, get caught up in the excitement and let their adrenaline take over. And that’s where they make mistakes. People have died. Bruce passionately bemoans the danger of getting swept up in the moment saying, “It’s the adrenaline. Some drivers become somebody you would never expect. They become monsters. Emotional overload breeds mistakes.” Bruce says he has witnessed near miss head-on collisions when someone pulls out to pass in normal traffic. Police patrol along the route trying to keep traffic under control but cannot be everywhere. Bruce says, “Drivers, especially inexperienced ones get all caught up. Somebody passes them in a 300SL doing 100 mph or whatever. You might see fifteen idiots in OSCAs pulling out and trying to race him. That is the way it is when people get caught up in the adrenaline rush. Come on, think, we are talking 100 mph on country roads.” As to a general rule of thumb for new drivers on how to run the Mille without incident, Bruce says, ‘“If you have a car in front of you that is moving pretty steadily and you know that guy is experienced which I will find out. I do that when we are in line up. I tell the drivers I am with, follow this guy he’s Italian. He knows where he’s going. As we say in America, ‘It’s not his first rodeo’. He has done this race before.”’
With the shipping date fast approaching, time just seems to melt away like an ice cube on a summer sidewalk. Moving at pace, Bruce’s meticulous reassembly process ends each day with the Aston ever closer to what most assuredly will be a stunning and athletic thoroughbred ready to run.
In reflecting on his experiences at the Mille, Bruce says, “Each year when spring comes and people get spring car show fever, I get asked what shows I’m doing. At that point my mind finds itself on the road somewhere between Brescia and Rome. No car shows cross my mind until I can answer the question, ‘am I going to the Miile Miglia.’ That takes precedent over everything else, even Pebble Beach.
With a smile born of Hemingway-esque experiences lived behind the wheel, Bruce says, “If you do this event. I don’t care if you are in a back-up car. I don’t care where you are or where you placed. The Mille Miglia is something you will never forget in any way, shape or form.”

For the Italian nation in the 1930s cycling reached its peak of popularity. It served as Italy’s most popular spectator sport until the 1950s. It was a mass cultural phenomenon that unified the country, shaped the national identity of its citizens, and up to WWII became a central tool for fascist propaganda under Benito Mussolini. Cycling stood above all other sports as did baseball in America. For Italians cyclist Gino Bartali towered as their Babe Ruth maybe with a little Charles Lindbergh mixed in.
Based on research conducted by Yad Vashem, the World Holocaust Remembrance Center, Bartali, in 1943, responded to a request by the Archbishop of Florence, Cardinal Elia Dalla Costa to volunteer his cycling skills. The Archbishop in collaboration with Rabbi Nathan Cassuto established a clandestine network to hide Jews in convents and monasteries while producing forged documents to help them escape. Bartali’a role called for him to transport the counterfeit identity documents to points comprising the underground network bounded by Florence, Assisi and Genoa, an area of considerable size. He also would pick up money from a Swiss bank account in Genoa for distribution to Jews hiding in Florence. Bartali employing equal measures of courage, brazen ingenuity and chutzpa (Yiddish for audacity) would hide the documents in the frame and handlebars of his bicycle. Never taking the shortest route, to better avoid checkpoints, his clandestine rides, and he took many, could exceed 200 kilometers. When stopped and searched at German checkpoints, the famous Bartali would warn the guards not to touch the bicycle as he had it set just right to deliver optimum performance. However, as the war progressed the frequent sighting of a cyclist training for races that no longer occurred began to raise questions. In July of 1944 Bartali found himself being interrogated at the infamous Villa Triste (Sorrow House) in Florence where fascist officials practiced forced imprisonment and torture. With luck and possibly God on his side, one of Bartali’s interrogators happened to be his army CO who promptly vouched for the cyclist’s innocence. Not to be satisfied with his good works as the conduit by which Jews could escape the Nazis, he, at the same time, hid a Jewish family in his home until the allies entered Florence.
Bartali’s role in preventing an Italian civil war and saving the nation again finds a parallel in the lore of American icon Babe Ruth. In this case the fabled story of Babe Ruth’s “Called shot” comes to mind. The story takes place in the 1932 World Series. In that game “The Babe” being mercilessly heckled by the opposing Chicago Cubs pointed to the centerfield bleachers and promptly hit the next pitch for a home run into the centerfield bleachers. Though still debated, it stands firmly anchored as baseball lore.


your car. In my case MotorWorks West has previously worked on my 2003 E46 BMW 330. It features a very professional exclusive BMW facility and enjoys a very positive reputation. For a Refresh, consider the shop you choose as your partner in the project. As well, the shop, too, should view this relationship as more than just another job. It certainly will be more expensive. Finally, thoroughly review the vehicle with the shop owner. This review must include both an under the hood and an up on a lift visual inspection. Before proceeding you should have a written estimate from the shop detailing all aspects of the project. This is when you decide if the Refresh merits the cost. If yes, establish a budget before proceeding. It should include a contingency of maybe 15% for legitimate work not foreseen. Have the shop save all of the old parts removed for your confirmation and inspection. Remember this job will dent your wallet. Know and respect the limit of yours.


Considered the last of the legendary naturally aspirated inline-6 engines upon which BMW built its reputation, the N52 in my X3 with its inherently balanced inline-6 configuration, advanced features like Valvetronic, Double VANOS and lightweight magnesium-aluminum block boasts smooth, linear power and superior reliability compared to the more complex B48 turbocharged engine found in newer BMWs.

As a harbinger of coming change early 1974 saw a new company called “Computerized Antique Car and Parts Service” advertise in Hemmings. Like some ancient aquatic denizen in an early but unsuccessful attempt to venture onto land, this business sought to apply computerized search techniques to marketing vintage cars and parts. It failed. However, decades later that business’ basic idea, empowered by 21stt century e-commerce tools, resurfaced as a powerful global entity energizing the collectible car culture. It had evolved into the online auction site Bring a Trailer and its kin. Indeed, the winds of change spurred on by profound advancements in digital commerce have expanded the enjoyment and associated business opportunities associated with a global collectible car culture to heights unthinkable fifty years ago. Such changes clearly demanded adjustments in the content and character of an evolving Hemmings.
It would be into this fertile yet largely untapped realm of classic car culture that a few visionaries would initiate a sea change.Nurtured by a Hemmings advertiser, Leo Gephart, an Ohio classic car dealer, the seeds of change had shown green shoots by the early 1970s. Gephart, whom many consider the father of the modern large-volume classic car auction, had an idea. His experience had shown that car collectors would travel from state to state looking for old cars at estate sales. Based on this he believed that a lot of collectors could be expected to gather if a huge number of cars had been assembled for sale in one place. Gephart, a long time member of the Auburn-Cord-Duesenberg Club, approached a friend Russell Kruse with the idea. Till then Kruse had specialized in the auctioning of Construction equipment. Both men like the idea. On Labor Day in 1971 Kruse Auctions in collaboration with the Auburn-Cord-Duesenberg Museum hosted the Auburn Labor Day Auction.
amputees. When they took off my leg I had first intended to get rid of my 440i and buy something else. But then, I learned I could drive my BMW using my left foot with a device available locally. What a great device.
“I have to have a 2-door coupe, like my 440i,” says Herb. He explains why saying, “You need a big door when you have a prosthetic leg. In my case, it’s my right leg, and I’m sitting on the left side of the car. I have to lift my right leg with my hand, slide it out and then slide my body. In order to do that, I need a big door and automatic seat settings.” To exit the car requires Herb to have the seat all the way back. Herb says, “I couldn’t drive a car that didn’t have electric seats because without a memory seat, it would be a nightmare every time I got in and out of the car.”
When asked if the driving experience changed with the prosthetic device, Herb says, “Yes and no. I have always loved driving, however, all my cars had been stick. However, because of what happened I can no longer drive stick. But considering that pretty much all brands have stopped making them, it seems an inevitability. I don’t like the paddles. Not the same, not even close. So that’s where it’s changed. But I got used to it and I still love to drive. I mean, I get relaxation. I love being surrounded by my music. I love the quickness and toss-ability of my BMW. I rejoice in tracking on a serpentine back road. Yeah, I still take exit ramps at 60 miles an hour, you know, just to feel how the car holds the road.”






reflecting on his passion for hands-on car creation Jim says, “Most of my found happiness is probably through my father. He owned the used car lot that colored my early life experiences. He had the passion for cars. He is gone now but his spirit lives on through the life my work brings to his garage.” As an added bonus Jim says, “Ours is a neighborhood of close friendships. Even after my father passed, his old friends and, now, my old friends like Big Bill, Mike and Bob stop by the garage regularly to check in and maybe lend a hand on my latest project.” Jim has even continued hosting what was once his father’s annual Christmas party at the garage.”
were lobbied. The effort succeeded in generating the opportunity to deliver a presentation to middle school students on the significance and excitement of vintage automobiles. The effort’s intent resided in motivating children to take advantage of the coming event to experience historic vehicles first hand. In so doing they could better appreciate the character, beauty, and excitement of the iconic vehicles that revolutionized individual lives and forever changed global culture in the 20th century. The effort proved successful.
with an information scavenger hunt. Centered on car specific questions, this 20-question quiz encouraged children to interact with the classic cars on display and the car owners.

Sitting tall and proud children fired questions at Glenn, the knowledgeable owner. They found the need for a hand crank start especially fascinating and the squeeze bulb horn proved irresistible. My Corvette drew admirers but my favorite asked if he could sit in it. Once in, he gripped the wheel with both hands and made the best “I am doing 100 mph and loving it” face. Interestingly a major source of comment in the Corvette was the dashboard mounted location of the rearview mirror.



Show, I know the damage inflicted by bad kids with evil intent. That unsupervised environment differs profoundly from the local events most of us populate. Experience from Collectible Car Fairs 1 and 2 has shown kids to be respectful and appreciative. Do they need to be monitored? Yes. They may not know how to interact with a classic car. That is certainly something we as car enthusiasts can share in a friendly manner. For my 2 Collectible Car Fairs and the Autism event described in the last Drivin News story (Classic Autos and Autism, A Shared Journey to Betterment) I have brought the 1961 Corvette that I have had since 1967. After 50 years of ownership, I conducted a major restoration. It has been featured in Hemmings publication Muscle Machines. I am very protective. I have also realized my greatest gift as an automobile enthusiast is to employ my car as a vehicle (Double meaning intended) to engage those who will carry on my passion when their turn arrives.
















The “Car Show” represented a unique activity in the ongoing effort to create engaging monthly social events. In this setting these young adults could engage with the classic cars and the owners in a social setting with familiar faces. In so doing they could develop the social skills necessary to improve their quality of life.
One great example of the conflicting cognitive versus social abilities of clients occurred with Peter, the owner of an especially nice 1986 Guards Red Porsche 911 Carrera and a knowledgeable car guy. One of the clients approached to view Peter’s Porsche. Peter invited the client to take a seat behind the wheel. “Oooohhh nooo,” the young man replied as he retreated from the interaction. A while later the young man returned to ask if he could, indeed, sit in the Porsche. Peter guided him behind the wheel while taking his place in the passenger seat. Peter in delightfully describing his shock says, “This young man spoke so knowledgeably about Porsches I was completely blown away. I never expected that.”
Car-centric activities engaged the clients throughout the evening till the summer sun sank to the horizon. Long shadows signaled that the time had arrived for the show to end. Illuminated in the golden glow of the sweet light cast by a setting sun, the eclectic collection of classic cars individually departed to the cheers of the clients as they gathered to wave goodbye to their new friends.
Both Arlene and Kayleigh praised the owners. Arlene said, “Your people were so patient. I watched and saw how some of them kind of stood back and observed. And when a client approached close enough to indicate interest that’s when the owner would slowly make his way over. He would casually go up and say, ‘Do you want to see it?’